Chassidy David                                           
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Chassidy is a filmmaker and digital artist. Born and raised in Brooklyn, NY, her work is deeply inspired by her vibrant, kinetic, and intersectional adolescence and young adulthood. She is deeply interested in creating work that explores the duality between invisibility and visibility, the unspoken ways trauma links us together, and how implicit biases shape the narratives on screen and off.

Her previous works have been showcased at institutions such as MoMA (New York, NY) and the Museum of Moving Image (Queens, NY). She recently worked as a digital video production Teacher Assistant at the New York State Summer School of the Arts and then as a Production Assistant at Element Productions. She is currently working as a Freelance Director in NYC as well as a Digital Arts Specialist at The Madison Square Boys and Girls Club (Brooklyn, NY).

She is a recent graduate of Emerson College where she received her BFA in Film Production. 


Film (Cinematography)
A Bike Ride Home
After
Lebensmüde
Early Work
Commissions
Reel
CV

currently based in: Brooklyn, NY                        
contact: chassidydavid@gmail.com


︎︎ (click me)
Mark




Arcana Mundi — Economy and Eccentricity



“Profuse strains of unpremeditated art.”
(Shelley)
                A rock is a perfect metaphor, an allegory in volume. When placed it’s sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.

Here the sculptor has made no concessions; no attempts to curry favor with curators or collectors — pieces wholly outside discourse. And if pressed for an affiliate movement for these “sculptures” (i.e. Cubism, Mannerism, etc.)… perhaps Monism or Cosmogonism? Definitely not Conceptualism or Pataphysics — Actualism?

The analog? Well for sure it is 1:1. Weird; yes — a knot to be admired for it’s curves — not for untying. An emergent surface as thick as it’s mass. 
 
Were it possible for the instances of our minds or world events to be mapped and dimensionally materialized, something similar to a rock would appear — areas of smoothness yielding to pockmarked particularities, density shifts and feathered explosions. What really is the shape of a boom town? A pilgrim’s journey? A section of jungle mayhem? A boring era? The silhouette of a father’s cold slap? The contours of a brief, intense friendship? Comfortably we perceive all of these things as ready to be integrated into ledgers or novels or timelines; but really they are queer crags and striations of unimaginable idiosyncrasy.

So yes, the reflective, reasonable yield of our mind has much symmetry (computation, cataloguing, narrativizing, etc.) but it’s actual shape is no shape, but unfolding chaos and singularity visible only to our particular time-scale. Our species-wide symmetries and quantizations are basically improvisations white-labeled onto directionless infinitude attempting the constant creation of navigable Dimension.

So, look intimately at a rock, walk around it, get up close to it, savor it’s complexion and composition as you would any painting or temple and see it as the faultless mirror that it is — a truly perfect sculpture.



ABSTRACTION AND EMPIRICAL ILLUSTRATION
We live our lives made up of a great quantity of isolated instants. So as to be lost at the heart of a multitude of things. (From the Double Dream of Spring, 1970.)




  1. Gavrilo Princip’s last grocery list written
  2. The time that alligator ate that fish
  3. When the Yongzheng Emperor found that weird dust bunny under his throne
  4. The great earthquake of Alexandria
  1. The invention of expectation in literature
  2. When the heaviest cacao fruit fell in Takalik Abaj
  3. Animesh eats his first Fly Agaric mushroom